Shoes can be tricky to take pictures of. After all, one thing is to shoot a sneaker, but to get perfect pictures of a Jimmy Choo stiletto is another thing.
There is a lot of ways to catch a show in a picture. You may have to deal with a model, but you’re more likely to take an independent shoe these days.
We will tackle the last alternative for the purposes of this report. We will give your shoe shooting a step-by-step method of getting great results and a few tips and tricks to note.
How To Photograph Shoes
- Start the proper configuration
- Incorporate light
- Get the Right Wink
- Check your information twice.
- In Photoshop, clean up
But let me tell a little story to you first…
I wanted to treat myself to a new pair of brown boots just a little bit earlier.
Before I found the right shoes, I looked online. The heel height was great, they weren’t too big or too short, they had an interesting burnished Kupfer zip detail.
Sure, they were a little bit more than I wished for, but it’s not easy to find a perfect pair, so I bit it and hit Buy Now. I was eagerly awaiting the arrival of my perfect new boots. I began mentally to compose costumes around them — they were just what I needed to start falling fashion as long as they fit. On the day they arrived, when he knocked, I rushed out to welcome the delivery man. I thanked him, picked up the box, and instantly opened it.
Only to find my great brown boots were absolutely not brown… they were a muddy blackish-red color. And the detail of the zipper which in the picture was so cool? Instead, it was bright and brassy.
My invoice and the label on the package were twice reviewed to ensure I had the right thing, and I even re-pulled the picture to make my comparison.
After all, they have turned out to be the right boots. But what I was hoping was not at all. I got them back and began my quest again. So what is that? So what does? How did I just find the right pair online when they reached my house so disappointed? Naturally, the response is all about photography.
1. Start the proper configuration
Don’t waste time trying other setup choices – get a high-quality non-reflective surface lightbox or a roll of white, seamless paper. Anything else would take you loads of time to make your shots look perfect.
Create your lightbox or hang your paper seamlessly and place your subject shoes around in your shot. Don’t drive them into your scene too far or you’re going to end up with strange shady things, which are hard to remove.
2. Incorporate light
Again, use tried-and-true lighting methods to save time and frustration. There’s one lightbox on either side and one light on the roof. This makes your backdrop beautiful and bright and almost eliminates shadows.
Seamless shooting needs a similar photograph shoes technique, but you may have to be a little more involved in making those nasty shadows vanish. A three-light configuration functions well, one on each side and one on the background.
3. Get the Right Wink
More is more about shoe photography angles. How many people would like to see the shoe sole or the info on the back would confuse you. There are key angles to focus directly on, up and down, so when you have them, turn your shoe completely so that you also have several other angles.
For example, prospective buyers may wish to see the shoe sole. You’re probably going to want to see the heel from the back and the form from the side.
You can always photograph shoes afterward when you have problems keeping your shoe in place for a few odd angles, shoot it from below by glass (only in the shot) or hold it in place with some cleverly attached thread.
4. Check your information twice.
Of course, photograph shoes are utilitarian, but fashion is also. If your eye catches something, make sure that your pictures feature prominently. If it is interesting in something, take it. This could be anything as obvious as a logo or something so plain as the grumb through which the laces go.
5. In Photoshop, clean up
And the picture most thoroughly scheduled can be touched up. Maybe you want to make the specifics pop more contrasted, or if you have pulled them on the screen you might have noticed the small bang on the shoe. Anyway, it is a required step to edit your shoe images. You can employ your own virtual design lab if you don’t want to spend hours in Photoshop.
Good practices for shoe photography
When shoes are taken, a few items to remember:
Simplification
This one ought not to be surprising. When customers arrive, they want stuff to be in a prism, and a shoe that looks worn, splashed, or dusty is a major turn. If your subject shoe has some imperfections or if it just needs to be quickly polished, make sure it looks flawless.
All the photographs of the Thousand Fell Shoe are crunchy and clean, with strong white shoes on a clean white backdrop and a touch of deep shade.
Delete the mess
Make sure your configuration is clean and flawless while we are on that note, too. Make sure your seamless background paper has no marks or wrinkles if you photograph more than one shoe in a sitting. You can use little adjustments to keep your shoe in the places you like, but make sure it’s spotless when showing on camera.
Right color and lighting
Color is one of the most important things that customers want when purchasing a pair of shoes. Recall my magical brown pants, which were after all not so brown? This was an uncorrected case of too warm lighting.
The color of this website would also have been more accurate if this photographer had neutral lighting (usually from 5000 to 6000 Kelvin) and ensured that its white balance was spot on—both in the camera or in post.
Compatibility
You must rest assured you have continuity in your collection in order to make a precise impression of how the shoe looks. You want to make the light and shadow the same for your audience, for example, so that your shoe is not turquoise in one frame and green in another. This ensures that the textures are also found accurately.
Check your sun, focal length, opening, and frame to ensure your pictures look uniform all over.
Creating the right form
You would need the same way you can see whether a shoe is wearing with boots or flimsier fabrics. For instance, high boots flopping over do not appeal to any buyer.
You could need to be even more imaginative for shoes with thinner materials or features such as ribbons. With well-concealed florist wire, you can give the shoe more structure. If you can always look out, in product photography post-production you can always clean up it in order to upgrade your shoe product photos.
Look at the background
There are various approaches to photograph shoes, and depending on where and how the image is used, the ideal end result can vary.
You have to consider what little details are important and not really important to shopkeepers in your particular market.
Someone who wants to buy their baby kindergarten shoes is very different from someone, for instance, who wants diaphanous white sandals for their wedding day.
Continue your shoe photograph.
Your next shooter should be a breeze with all these tips. Make the effort to create tidy, neat, and attractive pictures, and in almost no time will you have satisfied customers selling your shoes.
